Marcin Wasilewski Trio

The trio is one of the brightest stars of the Polish jazz scene, recognised for their unique talent in blending tradition with contemporary sound.

Marcin Wasilewski Trio is: Marcin Wasilewski, piano, (born 1975), Sławomir Kurkiewicz, double- bass, (born 1975) and Michał Miśkiewicz (born 1977) playing drums.

The band combines the grand tradition of the challenging piano trio tenet and creates their own distinct sound in doing so. It is also one of the most consistently developing bands of the Polish music scene, and one that is very open to inspiration from the surrounding environment. The Marcin Wasilewski Trio is considered one of the most acclaimed and unique jazz formations of its generation, and it has garnered recognition in its native Poland as well as abroad.

In 2019, the band celebrated 25 years of playing in an unwavering squad. But its actual history goes back even further, to the year 1990. It was then that the Simple Acoustic Trio was founded by a group of students from a music high school in Koszalin. Their debut performance would come a year later, and the band quickly began to garner awards across Poland. In 1993, the young percussionist Michał Miśkiewicz (the son of renowned Polish saxophonist Henryk Miśkiewicz) joined the Simple Acoustic Trio and since then the group plays together untouched by any personal disturbances.

Their very first record Komeda came out in 1995, published by the Kraków based Gowi Records label. It became one of the most widely commented debuts of the year. An homage to the work of Krzysztof Komeda, it consisted entirely of his compositions. The critics and audience alike didn’t fail to hear in the recordings much more than mere interpretations of the historic pieces of Polish jazz. The reviews hailed the trio a creative continuation of this history, and one of the biggest promises of the Polish jazz scene.

Their music soon stirred the curiosity of Tomasz Stańko, the legendary Polish trumpet player. In the late 1990s, Stańko was searching for a new quartet squad, one that would allow him to pursue the kind of work he did with Bobo Stenson, Anders Jormin and Tony Oxley. The encounter with Tomasz Stańko turned out to be a turning point in the trio’s career. Stańko was quoted as saying that: In the entire history of Polish jazz there was no group like this one.